Mark Wigan – The Visual Dictionary of Illustration/Global Contexts

Mark Wigan’s Book Launch and signing and exhibition of his two latest books
on Monday 16th November 2009 at
The Foyer Gallery Hull School of Art and Design Queens Gardens Hull
from 5pm – 7pm

Foyer Gallery Space
Hull School of Art and Design
Queens Gardens
Hull
HU1 3DG

Exhibition runs til December 15th

The Visual Dictionary of Illustration and Basics Illustration Global Contexts published by AVA publishing are the fourth and fifth books written on the subject of illustration by Hull School of Art and Design (BA Hons) Illustration Lecturer Mark Wigan Williams.

Comprehensive and inspiring Global Contexts is packed with insightful and thought provoking commentary and compelling and allusive imagery. The book takes the reader on a journey through the international and contemporary illustration landscape and features artwork by leading exponents of this ever changing and expanding discipline. This essential reference book also contains a series of practical assignments which echo and extend the themes discussed. Featured topics include Art and Design education, professional practice, art and industry, east-west visual dialogues, global responsibilities, world markets and collaborations.

The Visual Dictionary of Illustration is a guide to the many and varied terms used frequently within illustration From Abstraction to Zeitgeist, Picture Books to the Poster this book will prove an invaluable resource to anyone interested in the art of illustration. More than 250 terms are distilled from practical terms such as Graffiti, Murals and Photomontage to influential historical art and design movements such as Art Nouveau,Dada, and The Golden Age of Illustration. Each term is explained and contextualised giving the reader an enhanced understanding of illustration terminology. Each entry comprises a brief definition along with a visual example of the point under discussion. Supplementary contextual information including a timeline of illustration is also included.

Contact info:

Email: markwigan@hotmail.com

myspace: www.myspace.com/markwigan

facebook: mark wigan

twitter: http://twitter.com/markwigan

www.avabooks.ch

markwigan

Urban art pioneer, educator and writer Mark Wigan has been described as Britain’s foremost Pop Artist by London Weekend Television he has been an illustrator and roving reporter for street style bible i-D Magazine, exhibited his paintings with Miles Davis and John Lennon in Japan and was commissioned by Andy Warhol to paint murals in New York in the 1980s.
Warhol described Wigan’s four floor high mural at the Limelight Club in London’s West End as HOT, recommending him to paint the New York Limelight Club and introducing him to Keith Haring and the New York downtown art, music and club scene of 1986.
A prolific graphic artist Wigan’s drawings and paintings have chronicled and celebrated club culture since the 1980s he is the ultimate night club artist as the Independent put it ‘He paints pictures of nightclubs and night-club people,and is commissioned to decorate night-clubs with similar scenes. He also runs nightclubs and likes to relax in …..night-clubs.
In 1985 the NME stated ‘Paris had Toulouse Lautrec. Londons got WIGAN. Thats the nom de nib of Mr Mark Williams an artist whose poser packed drawings immortalise the murky menagerie of late night London hipsterdom’.
Wigan is named after the Northern Soul Mecca in the Lancashire town of Wigan -home to the legendary Casino, big baggy trousers and some spectacular dancing.
Journalist Keith Watson wrote ‘Looking at these pictures is like walking into a room with a ghetto blaster cranked up high’. During the Summer of Love of 1988 his artwork was everywhere from acid house record sleeves for the likes of A Guy called Gerald and Frankie Bones, music video animations to T-Shirts,flyer designs and night-club murals in London ,Tokyo and New York seminal clubs including The Brain Club, P.Picasso and Gold.
When the going gets tough the tough make Graphic Art and
Wigan’s black and white drawing chronicled the underground club and street culture during the Recession of the early 1980s Philip Hoare wrote ‘Wigan observes Britain in Recession where an alternative economy of warehouse parties and market stalls provide work for the dispossessed. It’s not all despondency, however, and the humour in Wigan’s work comes through’.
The Face magazine commented that Wigan’s work revitalises more stoic forms of social realism with a neon bright parade of semi fictitious cult classics, snap, crackle and popping their way through the heated hordes of clubland
Alix Sharkey writing in the Independent stated ‘Some of the early works from the 1985 London Subterraneans series, for example are now revealed as astonishingly accurate maps,showing the development of the attitudes, hairstyles, clothing and interests that defined a subculture. If a picture tells a thousand words, Wigan’s drawings are worth an entire library of professorial works on pop culture.

For the past 10 years he has lectured on graphic design and illustration leading undergraduate and postgraduate courses at some of the worlds foremost art and design institutions and has just completed a series of five books on illustration published by AVA Publishing and distributed by Thames and Hudson.
His Visual Dictionary of Illustration and Global Contexts of Illustration are published in the Spring.

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